Trento

Arcade light. One white.

Arcade overcast first. We recce Via Manci at the hour the stone actually reads, then stills and a short film share that white — print, site, and a thirty-second cut from the same afternoon, not a sunset stacked later.

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Selected stills

Wool, stone
Fashion Wool, stone
Apple, linen
Food Apple, linen
Quiet room
Hospitality Quiet room
Window skin
Beauty Window skin
Glass, oak
Product Glass, oak
Coat, arcade
Fashion Coat, arcade
Stair, plaster
Interior Stair, plaster
Lane, grey
Location Lane, grey
Desk, lamp
Corporate Desk, lamp
Watch, paper
Product Watch, paper

Alrernative produces commercial photography and motion from Trento. Stills and film share a recce so a lookbook does not argue with a cut, and a campaign does not arrive as two vendors in public.

The rooms on Via Manci hold tabletop, a compact cyclorama, and a colour desk. Clients review tethered stills and a calibrated picture in one visit. Product and grade are not two appointments.

Cases

Fruit that had to survive a page

2025 · Food / agency

Fruit that had to survive a page

Stills and a 20s loop from one window in Trento. The skin had to read on a magazine page and in a silent loop.

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A room that matches the arcade

2024 · Hospitality

A room that matches the arcade

Interiors and a two-minute film at recce hour. Stone already had a white.

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A coat on Via Manci

2026 · Fashion

A coat on Via Manci

Lookbook and a quiet walk. Lifestyle stayed live — the stills LUT was the show LUT.

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Services

Commercial Photography

Campaign stills, product, and brand portraiture with controlled light.

Video Filming

Narrative and branded films from treatment through principal photography.

Color Grading

Show LUTs, shot matching, and finishing that serve the brand palette.

Post-Production

Edit, sound, titles, and delivery packages for every platform.

3D Rendering

Product and environment renders that composite with live action.

Motion Graphics

Type, diagrams, and brand systems in motion for spots and social.

Alrernative

Send a brief, dates, and whether you need stills, a film, or both. Include where the work has to live — print, site, film, social — and we reply with a crew plan.

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